If there were such a thing as an Unsqueamish Hall of Fame, the soprano
Olive Fremstad (1871-1951) would have a secure place there.
As a voice teacher, she asked her students to study a human larynx,
preserved in a jar. To prepare for the role of Salome, she visited the
New York City morgue to get a feeling for the weight and heft of a human
head.
She also left instructions that, after death, her heart was to be pierced
by a steel needle-presumably to avoid premature burial.
(Fremstad's name isn't well-known today, but in the early twentieth
century, she was one of the world's reigning singers. She grew up in
Northfield and Minneapolis, Minnesota, performed at the Met with the
likes of Mahler and Caruso, and was the model for the heroine of Willa
Cather's Song of the Lark. She made a few recordings, though it's agreed
they don't do her voice justice.
Today, Fremstad lies in the cemetery at Grantsburg, Wisconsin, about
an hour north of the Twin Cities.)
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Olive Fremstad singing the "Love-Death" from Wagner's
Tristan |
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