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I'll celebrate 35 years of continuous employment with MPR (or its predecessor) on the afternoon of August 20, the date I arrived (following a term of summer school at Oberlin Conservatory) to begin my new career in Minnesota. I arrived after the office had closed, but joined Arthur Hoehn in the control room for an evening of 'getting to know' the place and its requirements. Technically, August 21 was my first full day of MPR employment. The one program
with which I have maintained a continuous on-air presence since my beginnings
at MPR is THE NEW RELEASES (a concept which I inherited from my predecessor,
Robert Sachek, but made 'my own' probably during the first week in September
(documention is hazy on the exact date...however, I did not host THE NEW
RELEASES during my first two weeks in Collegeville; Sachek had pre-recorded
two filler programs prior to his departure and my arrival).
Since THE NEW RELEASES has evolved beyond simply a place
where 'new releases' are played, and has developed a reputation as a weekly
time where uncommon things may be discovered by curious listeners, for
the fun of it on August 21 (to observe my 35th 'anniversary' a day late)
I have chosen to replay an item by British composer Gavin Bryars, titled
"Jesus Blood Never Failed Me Yet" which, because of the subtle,
repetitious nature of its content, caused one concerned listener to call
the St. Paul Police, thinking that perhaps something had happened in the
control room, as the record (a CD, actually) seemed to be 'stuck', repeating
the same 50-second song over and over and over.... The Police DID come,
and the careful listener would have noticed that Mr. Bryars has woven
a rich, melodious, veerrrryyy slowly transforming instrumental accompaniment
around the fragile, repeated vocalization of the song, "Jesus blood...".
The effect is either deeply moving, even transcendent, or irritating.
Obviously, I'm in the first camp, and invite listeners familiar with the
piece to join me for a rehearing (beginning @10:40PM...this special edition
of THE NEW RELEASES will run until midnight). Those unfamiliar with the
work can approach it for the first time and decide how they feel about
it. The first part of the August 20 broadcast of THE NEW RELEASES
will, as usual, contain music selected in the hours before the program
begins, revealing new nuances in the ever lively world of classical music
on record—MB Share
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